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董文敏丙辰七锦册。吴氏梅景书屋宝贵九友画册之一。其一。吴湖帆记。
香光画，设色者甚少，惟《秋兴八景册》都仿松雪（赵孟頫），纯用设色。其他册卷，余所藏所见不下数十计，墨笔画居十之九也。此册三帧设色，亦都从松雪法中来，其用笔布局，与秋兴册无少异。不雅第一叶仿卢鸿草堂，可知其决策作意而出，与寻常漫兴之作，固大殊也。甲戌（1934）八月病起读画，信笔题于前。东庄。
明·董其昌 秋兴八景图
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董文敏公小像
吴兴庞氏（庞元济）藏项易庵（项圣谟）补曾波臣（曾鲸）为香光写真，与此如出一手。此象余获于故家董氏尺牍上，犹是明装。索其敷色、渲染、笔法，定为曾笔无疑。因移入此册。标名六字，亦明东谈编缉也。吴湖帆藏。
梅村（吴大业）《画中九友歌》董文敏居首列。余近岁所集九友画册，凡每家一本，模范都相若，多寡则不一，多至十二番，少则六七帧。并几而不雅，深自心喜，而立场则都自文敏分配也。此为九友中第一本，适得文敏画象，因置于首帙。聊志仰景尔。
卢鸿草堂图樾馆。玄宰。
吴氏梅景书屋集珍画中九友册之一。
唐·卢鸿 草堂十志图·樾馆
台北故宫博物院
玄宰画。
玄宰写。
玄宰。
玄宰画。
玄宰写。
丙辰（1616）九月舟中写，玄宰。
玄宰写西岩图。柳州（柳宗元）诗意。
癸酉（1933）之夏获文敏此册，凡七帧。越三载，收得所写《西岩图》一帧，尺幅稍长，而宽度则一，虽非原璧，而笔致相类，应是一技能作，未可知也。因合装于后，足成八帧云。丁丑（1937）重装题。
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按，此《西岩图》笔势苍古，疑为七十岁支配作，较前册应后七八年。盖文敏六十岁支配笔，精整谨严，七十岁则渐见奇纵渺茫矣。余曾收《潞水话别》《山村清霁》二图，都七十一岁作，与此笔趣殊同，则此图之作或较前七帧为后无疑矣。六月中旬遣暑。湖帆又识。
董文敏在元明以后为画家关键，一洗积习，实开文东谈主画千古决窍，但无天单干力者不成学之。
戊寅（1938）腊月立春日，王同愈获不雅。时年八十四。
余生爱香光字画，二十年所收蓄几二十品。处此奢世，以一文字生存东谈主得如斯，正自诩非易事。殆为香光魂梦驱使，致五百年心腹耶！今岁四十初次，而番禺叶遐庵（叶恭绰）丈复馈“画禅室”印，以证宿缘。适得是册，乃钤于末幅宋笺上。癸酉（1933）除夕跋之。吴湖帆。
画作丙辰九月，为万历四十四年（1616），时文敏六十二岁。是年即清太祖辽阳开国天命之元年也。
金沙9570皇冠体育下载甲戌（1934）夏令诸神皇冠账号，获不雅于嵩山草堂。晋陵冯超然。
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